R.I.P. Stan Winston 1946-2008

LA Times wrote:
Stan Winston, an Oscar-winning visual effects artist, has died at age 62.

Winston died at home Sunday evening after a seven-year struggle with multiple myeloma, according to a rep from Stan Winston Studio.

“Stan died peacefully at home surrounded by family,” a spokeswoman said.

Winston won three visual effects Oscars and earned multiple nominations. His first Oscar was for James Cameron’s “Aliens” (1986). Winston later won for “Terminator 2: Judgment Day” (1992) and 1993’s “Jurassic Park.”

This is a very sad day he was a god of visual effects and no one will come close to his greatest.

T-Rack

Louis Letterier wants to film Marvel’s 1602

During publicity for the release of The Incredible Hulk, director Louis Leterrier has revealed that he would love a chance to adapt Neil Gaiman’s unusual superhero strip 1602 for the big screen.

1602 is set in an alternate Marvel universe at the start of the 17th Century in which various characters match their 1960s counterparts. Nicholas Fury, Dr Stephen Strange, Peter Parquagh, Matthew Murdoch and Carlos Javier all make key appearances.

Leterrier told IGN that “1602 is great because it’s another take on the superhero. It’s almost like Freaks and Clash of the Titans and all of this stuff that I love. And Neil Gaiman is a genius.” He pointed out that the current trend for superhero movies “will sort of fade away” but “by making them cross-pollinate and crisscross and have different stories and good guys become bad guys and all of that stuff… that will make them good.”

Marvel has not announced any plans for a 1602 movie as yet.

Todd McFarlane returns to Spawn.

Article courtesy of Cliff Biggers, Comic Shop News

Halloween is a month for spooky beings, scares, and surprises—and that’s just what Image is preparing to deliver. That’s the month that Spawn creator Todd McFarlane returns to his most famous creation—and he’s bringing with him fellow Image founder Whilce Portacio, who will join him to illustrate the series beginning with Spawn #185.

“While I’m very happy with where Spawn has gone, it’s long past time to inject some new blood into the series while also returning to its roots,” McFarlane said. “I feel what Whilce and I are doing with our co-writer, Brian Holguin, combines the old and the new in a way no one would have expected. That’s a claim which gets tossed around quite a bit in the industry, but this one really changes everything.”

What will Todd McFarlane’s role be as far as Spawn is concerned—will he be working in a supervisory role, will he be plotting, will he be pencilling, will he be scripting? “All of the above,” McFarlane told CSN/Newsarama. “I want to push the book in a new visual and storytelling direction. I can’t do that from a distance, so I’ll need to be involved in the plot, in the way the pages are laid out, in guiding the artwork and doing some of the inking on it, in having control over the way the color blends with the art, and even in the way the letters co-mingle with the art. When I was doing it all myself years ago, I looked at each page as the end result all of those skills, not any one piece of it. So I’ll have my fingerprint on every single one of those aspects.”

What are McFarlane, Holguin, and Portacio doing to make it easy for readers who’ve been away for a while to pick back up with Spawn? We’re going to give Spawn a big cataclysmic event in Spawn #185, and that will offer people an easy jumping-on point,” McFarlane said. “We’ll make it clear enough storytelling-wise that you don’t have to come with a hundred issues of Spawn continuity under your belt in order to enjoy this book. You’ll be able to go ‘Wow, that’s an interesting superhero comic!’ and not ‘Oh, I need to know something about Spawn’ per se.”

What elements of the Spawn storyline remain a vital part of the book since McFarlane was last involved, and what has changed in his absence? “Of course, any big character remains the driving force behind his book. If Bruce Wayne decides to leave Gotham City and relocate in Knoxville, Tennessee, he’s still Batman when he lands there. And anyone who takes up the guise of Batman and kidnaps Bruce Wayne—well, the costume itself has a history that goes with it. Batman is Batman no matter what, and there’s a mystique about the costume.

“With Spawn, not only do we have the character, but we have a living costume. I can play off both of those and put them in completely different scenarios and see if we can’t come up with some creative storylines and changed agendas that you haven’t seen before.”

After a few years of problems with lateness, Spawn has been on schedule; will McFarlane, Holguin, and Portacio be able to maintain that timely release schedule? “That’s the goal” McFarlane said. “Whilce is burning through the pages fast; right now, we’re putting Spawn #180 to bed in anticipation of Whilce’s debut with Spawn #185, so we’ve got a nice lead. Also, part of the way I’m trying to tell stories will acknowledge the fact that we’re trying to do a monthly book and include good storytelling. There are corners that you can sort of get around easier if you’re paying attention to doing clever art while remembering that there are deadlines over your head.”

Finally, whatever happened to McFarlane’s previously-announced Batman/Spawn project that was to be produced in conjunction with DC—any chance readers might see that at some point? “I don’t know—that’s still an up-in-the-air project with no end date in sight, so I wouldn’t want to predict that right now,” McFarlane said.

The Middlesman’s Villains

This why I might check out ABC Family Network’s “The Middleman.”

T-Rack

SEE NO EVIL scribe’s new films

Article courtesy of fangoria.com

Dan Madigan, scripter of the slasher opus/Kane vehicle SEE NO EVIL (pictured), got in touch with Fango to alert us to the opening of his art exhibit “Uncensored—Punk, Politics and Censorship,” which takes places this Friday, June 13 (of course!) at the Cella Gallery in North Hollywood, CA (5229 Lankershim Boulevard). Featuring the horror writer/artist’s subversive work, the show also features the artistic creations of Stephan Canthal, Robert Macdonald and Jackie Stanton. “It deals with loss, fear, salvation, lust, decay, revulsion, redemption—all the dark and lovely things that make the world go around,” Madigan says. “If you aren’t dead or in a coma, get up, get out and get down. In a time where conformity and complacency is the norm, break away from the mind-controlling crowds and the automatons of this reign of redundancy and hang with some free thinkers—people who still believe that expression through art makes a difference. There’s free booze too!”

The opening-night festivities run from 7-11 p.m.; for more info, visit the Cella Gallery’s official site here (although be warned, some of the work displayed there is not work-safe). Those interested in attending the free event should RSVP by either e-mailing info@cellagallery.com or calling (213) 291-7908.

As for what Madigan’s got up his filmic sleeve, the screenwriter tells us he’s currently “finishing an original script called GRAVELAND for hot director Roel Reiné [whose feature THE LOST TRIBE is coming later this year from After Dark Films] and producer Andy Ackerman. It’s a wild cross between GHOSTBUSTERS, POLTERGEIST and WILLY WONKA AND THE CHOCOLATE FACTORY, and is very, very dark, funny and scary. Everyone involved is very excited about bringing this comically macabre story to life.”

Madigan hasn’t lost his interested in the hardcore either, as he’ll be bringing his own action/horror script NECRO SAPIENS to the screen as well. “I’m producing with actor Matthew Currie [WRONG TURN 2] Holmes,” he says. “It’s a high-octane, full-blown throwback of a horror movie. Genre legend Lance Henriksen told me the ending reminds him of THE WILD BUNCH if it were written by James Cameron on acid, and that it’s a horrific hybrid of DAWN OF THE DEAD and DOG SOLDIERS. The greatest of compliments, really.” No word on start dates for these flicks, but we’ll post updates as we get ‘em. —Sean Decker

Offer to Jon Favreau to Direct Iron Man 2

We told you earlier that there seemed to be some conflict between Marvel Studios and Iron Man director Jon Favreau over whether or not the director would be returning to helm Iron Man 2. Well, according to Nikki Finke at Deadline Hollywood Daily, those rumors are just that – rumors, and an offer has been put on the table to Favreau by Marvel.

According to her sources, the offer is definitely for a higher fee than that which Favreau took for Iron Man. The source said “They’re not paying him the same wage. They’re definitely paying him a higher fee to direct this one. What, do people think Marvel is stupid? Of course, the movie was successful, so they’re offering him more.”

That said, the negotiations have just begun, and it’s impossible to know how much of this is simply business as usual, with the delay being due to Marvel’s current focus on The Incredible Hulk, or how much is Marvel making an offer in response to uproar on the Internet over a perceived slight against Favreau.

Where is the Gods of Geek and The Torture Rack Podcasts?

Well let me just say the podcasts will be returning in a few weeks or so. I have been a little stressed of late and it has nothing to do with any but looking for a new job. I just didn’t want to do a half ass job for my co-host Tangent or for the Gods of Geek fans. We will to have new shows soon and when that happens the Gods of Geek and The Torture Rack will be back in full.

Thanks T-Rack

Jon Favreau May Not Be the Director for Iron Man 2

It seems like Marvel Studios is currently considering moving forward with Iron Man 2 without the involvement of director Jon Favreau. Despite the great success of Iron Man, much of which is credited to Favreau’s involvement, according to a report from IESB.net, Marvel may be looking to go forward without him due to money disputes.

According to reports, Favreau directed the first Iron Man for a very modest fee, and was looking for a slight bump in his fee for the sequel film. However, despite the financial success of Iron Man, Marvel Studios chairman David Maisel is apparently unwilling to pay a higher fee to Favreau. Reportedly, the studio believes the film will be a success whether or not Favreau is involved.

Official statements from Marvel still say that negotiations between the studio and Favreau are still ongoing. Despite this, Favreau claimed on his myspaace forum that “It’s been five weeks since the one and only phone call my reps have gotten from Marvel.”

Stay tuned for more news about the future of Iron Man 2 as it becomes available. In the meantime, let’s just hope that Marvel and Favreau are able to come to an agreement for Iron Man 2.

Live Action Turok Film Coming Soon?

MTV caught up Flags of Our Fathers star, Adam Beach, to talk about the possibility of the rumored live action Turok adaptation.

“We just finished the animated movie and now we’re going into the feature film movie [which should lens] hopefully in a couple years. We’re about to set up meetings to develop a script and put it out there,” Beach enthused. “I’ll have to beef up, and be a good guy, and save the world!”

Turok, of course, has his origins in comic books but is no doubt much more widely known today as the star of several popular video games. Although many claim that the franchise has recently “nuked the fridge,” 1997’s “Turok: Dinosaur Hunter” is often credited as being one of the earliest blockbuster first person shooters for the N64, helping to usher in a whole new era in gaming.

Will The Incredible Hulk’s Blu-Ray have 70 Minutes of Extra Footage?

The film doesn’t hit theater for a few more days, but one director certainly wants to have a massive Blu-Ray release for his latest film. Collider recently spoke with The Incredible Hulk director Louis Leterrier about the film, which opens nationwide on June 13, and the filmmaker had some interesting tidbits on the possible extras on the film’s Blu-Ray release.

I have to ask you…there’s been a lot of talk about the 2 different cuts that exist on the movie. Obviously the DVD is going to have more footage.

Louis Leterrier: Yeah.

So, could you talk about what was cut out of the film, like is there 15 minutes?

Louis Leterrier: No, the final way of me cutting this…maybe there’s like 10-15 minutes of stuff, but there’s a lot of stuff like on the Blue-Ray I think we’ll have 70 minutes of stuff.

Seventeen or…

Louis Leterrier: Seventy. 7-0.

70!

Louis Leterrier: Yeah, because you shoot a lot of stuff, yeah. What’s another picture? Yeah, but that’s what great. It’s like the back story. It’s more the sequel to the Ang Lee movie.

I have to ask you…so the Blue-Ray…the DVD just has a little bit…

Louis Leterrier: No the Blu-Ray…it’s whatever we can put on the DVD. Like DVD’s you have like 3 hours of like yeah…you have a limit of 3 hours of footage and stuff. The Blu-Ray you have something like 100 hours, so if they do a double DVD but like the Blue-Ray is what’s going to be good. So on the Blue-Ray I’m trying to put as much of the stuff…I want to put everything we shot, you know? I’m not the kind of guy that likes to keep the stuff for myself. I’m like, okay you student filmmakers, here’s what I did right and here’s what I did wrong and in some of the stuff, in the 70 minutes, there’s some great stuff and there’s some really horrible stuff, but you’ll see it all, you know?

What about the behind-the-scenes material?

Louis Leterrier: Oh there’s like tons of stuff like great stuff. That’s actually much longer. We’ve got like 3 hours of material-how we made the The Incredible Hulk and everything. That’s great stuff.

To read the full interview, including a very interesting item about a special Easter Egg on the DVD, click here